#New the velvet underground movie movie#

I would have given anything to have Lou be part of it, but we had to think of ways of finding footage of him and postponing our access to him (in the film) until the end with Andy (Warhol).

#New the velvet underground movie movie#

This would have been a different movie if Lou were alive. I can now consider myself a member of the Reed family. I saw her at the premiere and she was sobbing through the movie and it really touched her. The standard practice back then for dealing with a lot of these things was shock treatment and that’s what they (chose to do). Their parents might not have been singularly homophobic, but they were concerned about this kid for lots of reasons like using a lot of drugs. She was initially wary, but I wanted to include the stories circulating about (Lou’s) shock therapy and how he used it to gain some sympathy and street cred to say, “My parents were trying to shock the gay out of me.” That became the assumed perspective, and I think (Merrill) has every reasonable expectation to believe it was more complicated than that. Movies Todd Haynes’ Velvet Underground Documentary Will Change the Way You Think About the Band The new movie, streaming on Apple TV+, rescues the group from being just a band that inspired. Haynes: She just demonstrated the “ostrich dance” and I said, “Show us!” and she was delighted to do.

Q: His sister Merrill really provides a lot of insight into how Lou grew up. This brand-new Todd Haynes documentary explores the multiple threads that converged to bring together one of the most influential bands in rock and roll. Otherwise, it was really about John’s approval and agreement to participate and wanting to hear from him before we started interviews with anyone. I wanted to film (avant-garde filmmaker) Jonas (Mekas, who died in January 2019) right away and considered him very precious cargo in this film. The Velvet Underground created a new sound that changed the world of music, cementing its place as one of rock n rolls most revered bands. Haynes: He was aware of how we started (the project). The glam of it all was very English, but it needed that grit. That American component and proto-punk music coming out of the late-’60s was a necessary ingredient for glam rock. But he was really an amalgam of Lou Reed and Iggy Pop. It was the prequel for (Haynes’ 1998 film) “The Velvet Goldmine” because the character that Ewan McGregor plays (Curt Wild), people kind of characterized him as an Iggy Pop-esque character because he physically resembled him.

15 in theaters and on Apple TV+, is a triumph of. Todd Haynes: I was a huge fan of the music, the band, the era. Whatever role those local institutions played in The Velvet Underground, they contributed to a masterpiece. Understanding the challenge of making a movie about a band three. Question: Your background certainly showcases your love of music, especially “The Velvet Goldmine.” But what was it about The Velvet Underground that made you want to delve into their history? The VU as the culmination of New York 1960s avant-garde in Todd Haynes’ diligent new documentary.